THE DROLL {Or, a Stage-Play about the END of Theatre} by Meg Miroshnik
July 15, 2020

Meg Miroshnik wrote THE DROLL in 2011 having pondered the question, as the play’s preface notes, “What would it have been like to discover a passion for acting during the 18 years in which theatre was illegal in 17th-century Puritan England?” Her preface written nine years ago also posed the question: “What is it like to fall in love with theatre today in the face of anxieties about its future and future audiences?”

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